"Lamparilla: "Ich lass mich heut auf alles ein"" by Francisco Asenjo Barbieri, Anneliese Rothenberger, Kurt Wehofschitz, Hamburger Rundfunkorchester, Wilhelm Stephan was released on 2015. With Lamparilla: "Ich lass mich heut auf alles ein" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 49 out of 135 in Anneliese Rothenberger: Ihre größten Erfolge und Raritäten by Kurt Böhme, Helmut Zacharias, Berliner Symphoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Lamparilla: "Ich lass mich heut auf alles ein" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamparilla: "Ich lass mich heut auf alles ein" by Francisco Asenjo Barbieri, Anneliese Rothenberger, Kurt Wehofschitz, Hamburger Rundfunkorchester, Wilhelm Stephan is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | E♭ Major | 3 | 5B | 129 BPM | ||
The Little Barber of Lavapiés, Op. 56, Act III (Sung in English): Cotton Shirt, When You're Worn by a Guardsman Bold | Francisco Asenjo Barbieri, Maria Perilli, Marjorie Westbury, Bruce Boyce, BBC Symphony Chorus, Royal Philharmonic Orchestra, Unknown Artist, Stanford Robinson | F Major | 2 | 7B | 89 BPM | ||
La forza del destino, Act II, Scene I: Holà, holà, holà! | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | F Major | 1 | 7B | 114 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
El Barberillo de Lavapiès: Canción de la paloma - Como nací en la calle - 2006 - Remaster | Francisco Asenjo Barbieri, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 131 BPM | ||
La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
Mazurca de las Sombrillas | Coros Cantores De Madrid | B♭ Major | 2 | 6B | 144 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM |