Saúl Cosentino, Maximo Diego Pujol, Roberto Aussel made "Tango barroco No. 3 (Arr. M. D. Pujol for Guitar)" available on June 14, 2019. The duration of Tango barroco No. 3 (Arr. M. D. Pujol for Guitar) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Tango barroco No. 3 (Arr. M. D. Pujol for Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tangos & Milongas". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Spain. Tango barroco No. 3 (Arr. M. D. Pujol for Guitar) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tango barroco No. 3 (Arr. M. D. Pujol for Guitar) by Saúl Cosentino, Maximo Diego Pujol, Roberto Aussel having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivo Sonhando | MARCIA TABORDA | E Major | 2 | 12B | 55 BPM | ||
Sonata K. 322 | Louis Valentine Johnson | A Major | 1 | 11B | 78 BPM | ||
A l'infini pour ma mère | Thibault Cauvin, -M- | F♯ Minor | 0 | 11A | 86 BPM | ||
Metodo, Op. 27: Andante in A Minor | Ferdinando Carulli, Christian Saggese | A♭ Minor | 1 | 1A | 118 BPM | ||
Albumsblade: I. La melanconia | Frederik Rung, Alberto La Rocca | D Major | 2 | 10B | 92 BPM | ||
Ego | Pablo de Mello Heredia | C Major | 2 | 8B | 93 BPM | ||
Parisian Waltz | Tatiana Stachak, Matthew McAllister | G Major | 1 | 9B | 130 BPM | ||
Akh, Maral Jan / Ervum Em (Arr. by João Kouyoumdjian) | Komitas, João Kouyoumdjian | E Major | 1 | 12B | 91 BPM | ||
ファンダンギーリョ 作品36 | Joaquín Turina, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
Castillos de España: Redaba | Federico Moreno Torroba, John Oeth | E Major | 1 | 12B | 112 BPM |