Charles Gounod, Victoria de los Ángeles, André Cluytens, Choeurs et Orchestre de l'Opéra National de Paris, Orchestre Et Choeurs Du Theatre National's 'Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats)' came out on 1959. The duration of Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats) is about 3 minutes long, at 3:20. Based on our data, "Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Gounod, André Cluytens, Orchestre de l'Opéra National de Paris's "Gounod: Faust" album is number 4 out of 52. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats) by Charles Gounod, Victoria de los Ángeles, André Cluytens, Choeurs et Orchestre de l'Opéra National de Paris, Orchestre Et Choeurs Du Theatre National to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Ravel: L'heure espagnole, M. 52: "Voilà ce que j'appelle une femme charmante ! M'avoir si gentiment ce labeur ménagé" (Ramiro) | Maurice Ravel, André Cluytens, Jean Vieuille, Orchestre Du Theatre National De L'Opera Comique | G Major | 1 | 9B | 89 BPM | ||
Massenet: Manon, Act 1: "Et je sais votre nom" (Des Grieux, Manon, Guillot, De Brétigny, L’Hôtelier, Poussette, Javotte, Rosette, Lescaut, Chœur) | Jules Massenet, Victoria de los Ángeles, Chœurs du Théâtre National de l'Opéra-Comique, Henry Legay, Jean Vieuille, Liliane Berton, Marthe Serres, Michel Dens, Raymonde Notti, René Hérent, Roch Palerme, Pierre Monteux, Orchestre du Théâtre national de l'Opéra-Comique | F Major | 2 | 7B | 163 BPM |