"Stabat Mater in F Minor: II. Cujus animam gementem" by Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown was released on 2006. With Stabat Mater in F Minor: II. Cujus animam gementem being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Stabat Mater in F Minor: II. Cujus animam gementem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater in F Minor: II. Cujus animam gementem by Giovanni Battista Pergolesi, Angharad Gruffydd Jones, Lawrence Zazzo, Cambridge Soloists, Timothy Brown having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante | Cologne Chamber Orchestra, Johann Sebastian Bach | D Minor | 1 | 7A | 124 BPM | ||
Stabat Mater in F Minor, P. 77: Vidit suum dulcem natum | Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard | E Minor | 5 | 9A | 140 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Ouverture (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 2 | 4A | 117 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM |