Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck made "Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: V. Loure à l'unison" available on March 8, 2024. With Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: V. Loure à l'unison being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Georg Philipp Telemann, Christina Landshamer, Akademie für Alte Musik Berlin, Bernhard Forck's "Ino & Late Works" album is number 29 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: V. Loure à l'unison is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: V. Loure à l'unison by Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM | ||
Harmonia artificioso-ariosa / Partia I: Sonata. Adagio - Presto - Adagio | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 2 | 12A | 107 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM |