Franz Schubert, Arthur Jussen's '4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro' came out on January 1, 2011. With this song being about 5 minutes long, at 5:13, "4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro" by Franz Schubert, Arthur Jussen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Schubert: Impromptus & Fantasie". In this album, this song's track order is #2. In terms of popularity, 4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Impromptus, Op.90, D.899: No.2 in E flat: Allegro by Franz Schubert, Arthur Jussen having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | D Minor | 1 | 7A | 131 BPM | ||
España, Op. 165: II. Tango | Isaac Albéniz, Daniel Barenboim | D Major | 0 | 10B | 66 BPM | ||
Busoni: 10 Chorale Preludes, BV B 27: V. Ich ruf' zu dir, Herr Jesu Christ (After No. 40 from J . S. Bach's "Orgelbüchlein", BWV 639) | Johann Sebastian Bach, Leif Ove Andsnes | F Minor | 0 | 4A | 63 BPM | ||
6 Moments musicaux, Op.94 D.780: No.3 in F minor (Allegro moderato) | Franz Schubert, Alfred Brendel | A♭ Major | 0 | 4B | 87 BPM | ||
Bach, JS / Arr. Lüstner for Piano: Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano | Johann Sebastian Bach, Alexis Weissenberg | G Minor | 0 | 6A | 138 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
4 Impromptus, Op. 90, D.899: No. 2 in E flat: Allegro | Franz Schubert, András Schiff | A♭ Major | 0 | 4B | 134 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
Violin Concerto No. 3 in B minor Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B♭ Major | 0 | 6B | 163 BPM |