"Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Prélude. "Régnez, plaisirs et jeux..." (Zima)" by Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie was released on October 14, 1991. The duration of Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Prélude. "Régnez, plaisirs et jeux..." (Zima) is about 3 minutes long, at 3:16. Based on our data, "Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Prélude. "Régnez, plaisirs et jeux..." (Zima)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Prélude. "Régnez, plaisirs et jeux..." (Zima) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: Prélude. "Régnez, plaisirs et jeux..." (Zima) by Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Hippolyte et Aricie / Act 1: "Temple sacré, séjour tranquille" | Jean-Philippe Rameau, Véronique Gens, Jean-Paul Fouchécourt, Les Musiciens du Louvre, Marc Minkowski | C Major | 0 | 8B | 50 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM |