On May 9, 2006, the song "Postcard from Mexico" was released by Kieran Kane, Kevin Welch, Fats Kaplin. The duration of Postcard from Mexico is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Postcard from Mexico's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kieran Kane, Kevin Welch, Fats Kaplin's "Lost John Dean" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Postcard from Mexico is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Postcard from Mexico by Kieran Kane, Kevin Welch, Fats Kaplin to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keep Your Hat on Jenny | Chip Taylor, Carrie Rodriguez | D Major | 6 | 10B | 123 BPM | ||
Mississippi Phone Booth | John Hiatt, Jerry Douglas | A Major | 6 | 11B | 178 BPM | ||
The Perfect Time | The Subdudes | A♭ Major | 8 | 4B | 94 BPM | ||
I Gotta Get Drunk | The Little Willies | A Major | 6 | 11B | 126 BPM | ||
House of Stone | Mudcrutch | E Major | 4 | 12B | 121 BPM | ||
It Was Always So Easy (To Find An Unhappy Woman) | Peter Wolf | E Major | 7 | 12B | 128 BPM | ||
Where Has My Easy Gone | Ray Bonneville | F♯ Major | 3 | 2B | 114 BPM | ||
Evening Gown | Alejandro Escovedo | G Major | 5 | 9B | 79 BPM | ||
I Am the Big Easy | Ray Bonneville | D Major | 6 | 10B | 121 BPM | ||
Low Rider | Shannon McNally | F♯ Major | 4 | 2B | 96 BPM |