Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Plácido Domingo, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfónica de Madrid's 'La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita)' came out on January 1, 1994. The duration of La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita) is about 3 minutes long, at 3:12. Based on our data, "La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tomás Bretón, Antoni Ros Marbá, Miguel Groba, Orquesta Sinfónica de Madrid, Coro De La Comunidad De Madrid's "La Verbena de la Paloma" album is number 11 out of 12. La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita) by Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Plácido Domingo, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfónica de Madrid to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jardines De Granada | Federico Moreno Torroba, Jerónimo Giménez, Gerardo Gombau, Federico Chueca, Manuel Penella, Tomás Bretón, Juan Vert, Santiago Lope, Orquesta Zarzuela De Madrid | F Major | 0 | 7B | 91 BPM | ||
Hanbanera De "Monte Carmelo" | Federico Moreno Torroba, Jerónimo Giménez, Gerardo Gombau, Federico Chueca, Manuel Penella, Tomás Bretón, Juan Vert, Santiago Lope, Orquesta Zarzuela De Madrid | G Major | 3 | 9B | 144 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
La Mia Letizia Infondere | The Young Pavarotti | E Major | 3 | 12B | 146 BPM | ||
El Año Pasado por Agua: "Pasacalle: Aquí Viene la Flor de Maravillas" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | E Major | 6 | 12B | 120 BPM | ||
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
Fausto: Coro de Soldados | Coro de la Orquesta Sinfónica de la Ópera de Minsk | F Major | 3 | 7B | 116 BPM | ||
¿Quién Es Ud? (Duo de Ricardo y Joaquin) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | E Major | 2 | 12B | 110 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM |