Edward Elgar, Ashley Wass's 'Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger)' came out on September 26, 2006. The duration of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) is about 3 minutes long, at 3:25. Based on our data, "Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 25 in Elgar: Piano Music by Edward Elgar. Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Variations on an Original Theme, Op. 36, "Enigma" (version for piano): Var. 9: Nimrod (A. J. Jaeger) by Edward Elgar, Ashley Wass is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
The Wand of Youth, Suite No.1 Op.1a: 3. Minuet (Old Style) | Edward Elgar, Orchestra of the Welsh National Opera, Sir Charles Mackerras | E Minor | 0 | 9A | 130 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Three Novelettes, FP 47/173: Novelette in C Major | Francis Poulenc, Lucille Chung | C Major | 1 | 8B | 72 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Canzona Serenata, Op. 38 No. 6 | Nikolai Medtner, Dmitry Shishkin | F Minor | 0 | 4A | 172 BPM | ||
Keyboard Sonata in D Major, Hob. XVI:33: II. Adagio | Joseph Haydn, Emanuel Ax | A Minor | 3 | 8A | 103 BPM | ||
Three Piano Preludes: No. 3 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM |