"Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio" by Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music was released on 1997. Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Andrew Manze, Rachel Podger, Academy of Ancient Music's "J.S. Bach: Solo & Double Violin Concertos" album is number 8 out of 12. Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio by Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
Cello Sonata in G Major: I. Allegro non troppo | Giovanni Battista Sammartini, Andrea Noferini, Bruno Canino | G Major | 1 | 9B | 80 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | A♭ Major | 0 | 4B | 68 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |