On November 9, 2010, the song "Partita for Solo Vn No.1 h-moll BWV 1002 4. Double" was released by Nathan Milstein. The duration of Partita for Solo Vn No.1 h-moll BWV 1002 4. Double is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Partita for Solo Vn No.1 h-moll BWV 1002 4. Double's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Essential Masters by Nathan Milstein. The song's track number on the album is #8 out of 93 tracks. Based on our statistics, Partita for Solo Vn No.1 h-moll BWV 1002 4. Double's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Partita for Solo Vn No.1 h-moll BWV 1002 4. Double by Nathan Milstein has a tempo of 159 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Partita for Solo Vn No.1 h-moll BWV 1002 4. Double being at 159 テンポ, the half-time would be 80 テンポ with a double-time of 318 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin | Mela Tenenbaum | A Major | 1 | 11B | 135 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Symphonie espagnole: I. Allegro non troppo | Orchestre National de Paris, Nathan Milstein, André Cluytens | D Major | 1 | 10B | 98 BPM | ||
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Presto (Tempo Impettuoso d'Estate) | Baroque Festival Orchestra, Alberto Lizzio | C Minor | 2 | 5A | 140 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Major | 3 | 9B | 92 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Sicilienne | Maria Theresia von Paradis, Nathan Milstein, Arthur Balsam | E♭ Major | 2 | 5B | 94 BPM | ||
No. 1, Allegro, legato | Ragna Schirmer | C Major | 2 | 8B | 84 BPM |