Richard Wagner, Slovak Philharmonic, Michael Halasz's 'Tannhauser, Act II: Entrance of the Guests' came out on October 6, 1988. Since Tannhauser, Act II: Entrance of the Guests is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner, R.: Orchestral Highlights From Operas by Richard Wagner, Slovak Philharmonic, Michael Halasz. The song's track number on the album is #4 out of 7 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Tannhauser, Act II: Entrance of the Guests's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhauser, Act II: Entrance of the Guests by Richard Wagner, Slovak Philharmonic, Michael Halasz has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tannhauser, Act II: Entrance of the Guests being at 125 テンポ, the half-time would be 62 テンポ with a double-time of 250 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Tristan und Isolde / Act 1: Prelude - Langsam und smachtend | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | E Major | 1 | 12B | 85 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Piano concerto in G Major: III. Presto | Maurice Ravel, Anna Vinnitskaya, Deutsches Symphonie-Orchester Berlin, Gilbert Varga | C Major | 2 | 8B | 80 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5a. Songe d'une nuit du Sabbat - Larghetto - Allegro | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 1 | 5A | 105 BPM |