"Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug)" by Leo Slezak was released on May 5, 2010. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 17 out of 22. Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ständchen (Leise Flehen Meine Lieder) D 957,4, Schwanengesang D 957 (Auszug) by Leo Slezak to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tempestad, Acto I: Salve, Costas de Bretaña (Romanza de Beltrán) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Carlos Munguia, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | D Major | 2 | 10B | 104 BPM | ||
O sag, wenn ich fahre (Ein Maskenball) | Leo Slezak | E♭ Major | 2 | 5B | 83 BPM | ||
Da plätschert eine Silberquelle (Die Königin von Saba) | Leo Slezak | F Minor | 2 | 4A | 172 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Little David Play on Your Harp | Traditional, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Libiamo, ARV_10 - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots | C Major | 10 | 8B | 127 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Requiem in E-Flat Minor: IV. Judex ergo | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Olga Peretyatko, Olesya Petrova | E♭ Major | 0 | 5B | 167 BPM |