Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel made "Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro" available on January 1, 1987. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 13 in Devienne: Chamber Music for Bassoon & Strings by Klaus Thunemann. Based on our statistics, Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Duo Concertant No. 1 for Bassoon & Cello, Op. 3: I. Allegro by Klaus Thunemann, Thomas Zehetmair, Tabea Zimmermann, Christoph Henkel is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Fantasie for Bassoon and Orchestra, Op. 1: II. Cantabile | Johann Ludwig Böhner, Thüringen Philharmonie Gotha, Hermann Breuer, Klaus Thunemann | F Major | 0 | 7B | 141 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Duet for Clarinet & Bassoon in F Major, WoO 27 No. 2: I. Allegro affettuoso | Ludwig van Beethoven, Eduard Brunner, Klaus Thunemann | F♯ Major | 1 | 2B | 120 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM |