Ludwig van Beethoven, Emerson String Quartet made "String Quartet No.1 in F Major, Op. 18 No. 1: 3. Scherzo. Allegro molto" available on May 1, 2021. The duration of String Quartet No.1 in F Major, Op. 18 No. 1: 3. Scherzo. Allegro molto is about 3 minutes long, at 3:04. Based on our data, "String Quartet No.1 in F Major, Op. 18 No. 1: 3. Scherzo. Allegro molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 153 in the song's album "Simply Beethoven". In this album, this song's track order is #36. The popularity of String Quartet No.1 in F Major, Op. 18 No. 1: 3. Scherzo. Allegro molto is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With String Quartet No.1 in F Major, Op. 18 No. 1: 3. Scherzo. Allegro molto by Ludwig van Beethoven, Emerson String Quartet having a テンポ of 166 with a half-time of 83 テンポ and a double-time of 332 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 2. Adagio | Ludwig van Beethoven, Daniel Barenboim | F Major | 0 | 7B | 67 BPM |