"Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Moderato assai)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. With Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Moderato assai) being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Moderato assai) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Moderato assai) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Giselle: Act I: Entree joyeuse des vendangeurs et vendangeuses (Entry of the Grape-Pickers) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 117 BPM | ||
Cello Sonata No.2 in F major, Op.123: I. Maestoso, largamente - Tranquillo | Camille Saint-Saëns, Jamie Walton, Daniel Grimwood | E♭ Major | 2 | 5B | 176 BPM | ||
Romeo and Juliet, Op. 64: No. 19 Balcony Scene | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D♭ Major | 0 | 3B | 88 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Waltz No. 1 in A Major, Op. 54 (Moderato) | Antonín Dvořák, Mela Tenenbaum, Richard Kapp | A Major | 1 | 11B | 78 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): II. Scherzo. Allegro | Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur | E♭ Major | 1 | 5B | 79 BPM | ||
Kashchei the Immortal: Dni byez prosveta | Nikolai Rimsky-Korsakov, Marina Shaguch, Konstantin Pluzhnikov, Mariinsky Orchestra, Valery Gergiev | F Minor | 0 | 4A | 102 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 3: Entr'acte (Moderato) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 82 BPM | ||
Raymonda, Act I: Grand Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 179 BPM |