Water Music Suite No. 1 (Excerpts): 7. Bourree

George Frideric Handel, New York Philharmonic, Pierre Boulez
Handel: Greatest Hits
1:07 1959日
テンポ
125
キー
C Major
キャメロットミュージックキー
8B

リンクを埋め込む

共有

Water Music Suite No. 1 (Excerpts): 7. Bourree - George Frideric Handel, New York Philharmonic, Pierre Boulez 情報

音響性
78%
ダンサビリティ
68%
エネルギー
20%
手段性
92%
活気
11%
ラウドネス
58%
話し言葉
5%
価数
97%
人気
ラウドネス
-25.17 dB

まとめ

On 1959, the song "Water Music Suite No. 1 (Excerpts): 7. Bourree" was released by George Frideric Handel, New York Philharmonic, Pierre Boulez. With Water Music Suite No. 1 (Excerpts): 7. Bourree being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, English Chamber Orchestra, Raymond Leppard, New York Philharmonic, Igor Kipnis, E. Power Biggs's "Handel: Greatest Hits" album is number 5 out of 22. Based on our statistics, Water Music Suite No. 1 (Excerpts): 7. Bourree's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Water Music Suite No. 1 (Excerpts): 7. Bourree テンポ

We consider the tempo marking of Water Music Suite No. 1 (Excerpts): 7. Bourree by George Frideric Handel, New York Philharmonic, Pierre Boulez to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Water Music Suite No. 1 (Excerpts): 7. Bourree キー

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro by Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian BachConcerto For 4 Harpsichords In A Minor, BWV 1065: III. AllegroCologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian BachA Minor48A114 BPM
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Bourree by I Musici Di San Marco, Alberto LizzioConcerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': BourreeI Musici Di San Marco, Alberto LizzioF Major37B117 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio by Alessandro Marcello, Venice Baroque OrchestraConcerto Per Oboe, Archi E Continuo In Re Minore: II. AdagioAlessandro Marcello, Venice Baroque OrchestraD♭ Minor012A79 BPM
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In F Major, Op. 6, No. 2: IV. AllegroArcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella IstropolitanaF Major37B112 BPM
Pictures At An Exhibition: Promenade by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: PromenadeModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniA♭ Major04B87 BPM
Chiome d'oro, SV 143 by Claudio Monteverdi, Sonia Wieder-AthertonChiome d'oro, SV 143Claudio Monteverdi, Sonia Wieder-AthertonC Major18B119 BPM
Purcell : King Arthur : Overture to Act 1 by William ChristiePurcell : King Arthur : Overture to Act 1William ChristieC Minor25A140 BPM
Amadis de Gaule, W. G39: Act II Scene V: Gigue by Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingAmadis de Gaule, W. G39: Act II Scene V: GigueJohann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingE Major112B132 BPM
Suite de Symphonies No. 1: Fanfare-Rondeau by The Westwind EnsembleSuite de Symphonies No. 1: Fanfare-RondeauThe Westwind EnsembleD Major210B146 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records