Hernando de Cabezón, Ensemble Gilles Binchois, Dominique Vellard, Jesús Martín Moro's 'Je prens en grey' had a release date set for September 1, 1998. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Tientos y Glosas en Iberia (Orgue Fontanes de Maqueixa de Sao Vincente à Lisbonne)". In this album, this song's track order is #11. Je prens en grey is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Je prens en grey by Hernando de Cabezón, Ensemble Gilles Binchois, Dominique Vellard, Jesús Martín Moro having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | G Major | 3 | 9B | 104 BPM | ||
Charpentier: Te Deum - Prélude - Live | Marc-Antoine Charpentier, Alexander Därr | B Major | 2 | 1B | 56 BPM | ||
Suite in D Major: IV. Sarabande | Robert de Visée, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
Dulce memoriae | Hernando de Cabezón, Brisk Recorder Quartet | D♭ Minor | 0 | 12A | 72 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
[Suite en ré majeur]: I. Prélude (No. 47) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Ave Maris Stella | Hernando de Cabezón, Philippe Chanel | F♯ Major | 3 | 2B | 101 BPM |