Jean-Philippe Rameau, Judith van Wanroij, Cyrille Dubois, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi made "Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse" available on February 5, 2021. The duration of Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 96 in the song's album "Rameau: Dardanus, RCT 35 (Revised 1744 Version)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Spain. Based on our statistics, Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse by Jean-Philippe Rameau, Judith van Wanroij, Cyrille Dubois, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM |