Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï's 'Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais)' had a release date set for January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Tous les matins du monde (Bande originale du film)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) by Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantus Caravaggio IV « In Memoriam » (Jordi Savall) | Matthias Spaeter, Pierre Hamon, Jordi Savall | G Minor | 0 | 6A | 78 BPM | ||
Scheidt: Ludi musici, Part 1: No. 5, Paduan a 4 | Samuel Scheidt, Jordi Savall | A Minor | 1 | 8A | 113 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 177 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Concerto n°5 en la mineur: Allegro ma non molto, Falk. 45 | Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel | A Minor | 2 | 8A | 78 BPM | ||
Le Badinage, IV.87 (Marais) | Jordi Savall | F Minor | 1 | 4A | 172 BPM | ||
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: V. Bourrée | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 137 BPM | ||
Pièces à deux violes du Premier Livre, Suite en sol majeur: II. Allemande (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | F♯ Major | 2 | 2B | 115 BPM |