"5 Christmas Songs, Op. 1: No. 1, Nu står jul vid snöig port" by Jean Sibelius, Olli Hannuksela, YL Male Voice Choir, Matti Hyokki had its release date on September 1, 2015. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. 5 Christmas Songs, Op. 1: No. 1, Nu står jul vid snöig port's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 171 in the song's album "The Sibelius Edition, Vol. 11: Choral Music". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Sweden. 5 Christmas Songs, Op. 1: No. 1, Nu står jul vid snöig port is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Christmas Songs, Op. 1: No. 1, Nu står jul vid snöig port by Jean Sibelius, Olli Hannuksela, YL Male Voice Choir, Matti Hyokki having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Antar (After N. Rimsky-Korsakov): No. 7. Ravel: Allegretto | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | F Major | 0 | 7B | 138 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
4 Lyric Pieces, Op. 74: No. 4 Im alten Heim (In the Old Home) | Jean Sibelius, Håvard Gimse | D♭ Major | 0 | 3B | 60 BPM |