"Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison" by Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen was released on April 3, 2020. With Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 3 out of 50. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleison by Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Ouverture-suite in A Minor, TWV 55:a4: I. Ouverture | Georg Philipp Telemann, Altberg Ensemble, Peter Van Heyghen | B♭ Major | 2 | 6B | 107 BPM | ||
Solemn Mass in G Major, C. 256: X. Et incarnatus est | Jan Ladislav Dussek, Stefanie True, Helen Charlston, Gwilym Bowen, Morgan Pearse, Academy of Ancient Music, Richard Egarr | F♯ Major | 0 | 2B | 144 BPM | ||
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Solomon: Act I, scene 2 - No.14 Duet. Queen, Solomon "Welcome as the dawn of the day" | George Frideric Handel, Akademie für Alte Musik Berlin, Daniel Reuss, Sarah Connolly, Susan Gritton | B♭ Minor | 1 | 3A | 76 BPM | ||
Concerto grosso for Strings and basso continuo in A Major, Op. 2/1: II. Allegro assai | Giuseppe Sammartini, Les Muffatti, Peter Van Heyghen | F♯ Major | 1 | 2B | 154 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit dominus | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | D Minor | 3 | 7A | 101 BPM | ||
Missa Sancti Georgii: IV. Sanctus | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | E Major | 1 | 12B | 113 BPM |