"O sacrum convivium - Antiphona (tonus monasticus) in Honorem SS. Sacramenti" by Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux was released on January 1, 1960. With O sacrum convivium - Antiphona (tonus monasticus) in Honorem SS. Sacramenti being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux's "Gregorian Chant" album is number 6 out of 17. Based on our statistics, O sacrum convivium - Antiphona (tonus monasticus) in Honorem SS. Sacramenti's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O sacrum convivium - Antiphona (tonus monasticus) in Honorem SS. Sacramenti by Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Procedentem sponsum | Anonymous, Jan Garbarek, The Hilliard Ensemble | D Minor | 1 | 7A | 172 BPM | ||
Christmastide: Int. Puer Natus | The Benedictine Nuns of St. Cecilia's Abbey | A♭ Major | 2 | 4B | 86 BPM | ||
Viderunt omnes - Communio/In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | F Minor | 1 | 4A | 126 BPM | ||
Gloria | Probandi Benedittini Di San Giovanni In Parma | D Major | 2 | 10B | 103 BPM | ||
Regina caeli - Antiphona (tonus monasticus) in Honorem Beatae Mariae Virginis | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | G Major | 1 | 9B | 74 BPM | ||
Morning Prayer: VII. Intercessions and the Lord's Prayer | The Benedictine Monks of Worth Abbey | D♭ Major | 0 | 3B | 81 BPM | ||
Dans la joie de Pâques : Alleluia | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | C Major | 1 | 8B | 113 BPM | ||
Alma Redemptoris Mater | Cantores 'Regina Caeli' | C Major | 1 | 8B | 65 BPM | ||
Gloria II | Anonymous, Choeur des moniales bénédictines de l'abbaye Saint-Michel de Kergonan | B♭ Major | 1 | 6B | 100 BPM | ||
Requiem aeternam | Dominican House of Studies | F♯ Major | 1 | 2B | 141 BPM |