On September 30, 2013, the song "Variations on a Theme of Haydn, Op. 56a: VI. Variation V, Vivace" was released by Johannes Brahms, London Symphony Orchestra, Valery Gergiev. With Variations on a Theme of Haydn, Op. 56a: VI. Variation V, Vivace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 19 in Brahms: Symphonies Nos. 1 & 2, Tragic Overture, Variations on a Theme of Haydn by Johannes Brahms, London Symphony Orchestra, Valery Gergiev. In terms of popularity, Variations on a Theme of Haydn, Op. 56a: VI. Variation V, Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations on a Theme of Haydn, Op. 56a: VI. Variation V, Vivace by Johannes Brahms, London Symphony Orchestra, Valery Gergiev is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) | Jean Sibelius, Håvard Gimse | C Major | 2 | 8B | 91 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 | Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | C Major | 0 | 8B | 177 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |