"Symphony No. 8, Zweiter Teil: V. Poco adagio" by Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle was released on August 27, 2021. Since Symphony No. 8, Zweiter Teil: V. Poco adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin's "Mahler: Symphony No. 8" album is number 5 out of 15. Symphony No. 8, Zweiter Teil: V. Poco adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8, Zweiter Teil: V. Poco adagio by Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle to be Larghetto (rather broadly) because the track has a tempo of 61 テンポ, a half-time of 30テンポ, and a double-time of 122 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Minor, Op. 55: IV. Prestissimo - Andantino - Tempo primo | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 140 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: Interlude | Claude Debussy, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 85 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Einleitung zum Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 80 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Marziale un poco meno allegro - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | F♯ Major | 3 | 2B | 94 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 6 | 7A | 103 BPM | ||
6 Hungarian Rhapsodies, S.359: No.5 In E Minor (No. 5 In Piano Version) | Franz Liszt, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 78 BPM |