String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch

Arnold Schoenberg, Juilliard String Quartet
Schoenberg: String Quartets Nos. 2 & 3 (Remastered)
6:24 1953年11月30日
テンポ
132
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch - Arnold Schoenberg, Juilliard String Quartet 情報

音響性
95%
ダンサビリティ
50%
エネルギー
22%
手段性
64%
活気
10%
ラウドネス
75%
話し言葉
4%
価数
38%
人気
ラウドネス
-15.04 dB

まとめ

Arnold Schoenberg, Juilliard String Quartet's 'String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch' came out on November 30, 1953. String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schoenberg: String Quartets Nos. 2 & 3 (Remastered)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch テンポ

With String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch by Arnold Schoenberg, Juilliard String Quartet having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.

String Quartet No. 2 in F-Sharp Minor, Op. 10: II. Sehr rasch キー

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor by Sergei Rachmaninoff, Nikolai LuganskyRachmaninov: 10 Preludes, Op. 23: No. 5 in G MinorSergei Rachmaninoff, Nikolai LuganskyG Minor16A113 BPM
El cant dels ocells (Song of the Birds) (version for cello and orchestra) by Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo GimenoEl cant dels ocells (Song of the Birds) (version for cello and orchestra)Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo GimenoA Minor08A89 BPM
Gurrelieder / Pt. 3: XIV. Peasant: Deckel des Sarges Klappert by Arnold Schoenberg, Hartmut Welker, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalGurrelieder / Pt. 3: XIV. Peasant: Deckel des Sarges KlappertArnold Schoenberg, Hartmut Welker, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan RozehnalE Major312B89 BPM
String Quartet No. 2 in D Major: I. Allegro moderato by Alexander Borodin, Budapest Haydn QuartetString Quartet No. 2 in D Major: I. Allegro moderatoAlexander Borodin, Budapest Haydn QuartetD Major110B75 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Don Quixote, Op. 35, TrV 184: Theme by Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockDon Quixote, Op. 35, TrV 184: ThemeRichard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine BullockG Major09B129 BPM
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) by Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottValse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano)Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn StottA Minor08A73 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance by Dmitri Shostakovich, Tasmin Little, Piers LaneShostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. RomanceDmitri Shostakovich, Tasmin Little, Piers LaneC Major18B175 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86 BPM
Stravinsky: The Rite of Spring, Pt. 1 Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of AbductionIgor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony OrchestraA Major111B103 BPM
ISRC
USSM12007166
レコードレーベル
L-M Records/RCA Records