Jacinto Almaden, Antonio Arenas, Aurelio Garci's 'Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered' came out on March 20, 1962. The duration of Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in El Cante de Jacinto Almadén by Jacinto Almaden. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Una Farruca en Galicia: Farruca (with Antonio Arenas & Aurelio Garci) - Remastered by Jacinto Almaden, Antonio Arenas, Aurelio Garci is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
En la Pared de Mi Casa | Jimenez Rejano, Manzanita | D♭ Major | 6 | 3B | 119 BPM | ||
Bulerías de Paula | El Loco Romántico, J. M. Alconchel | A Major | 8 | 11B | 166 BPM | ||
Tengo un Rosal en Mi Puerta | Antoñita Peñuela | D♭ Major | 6 | 3B | 78 BPM | ||
Sevillanas No. 1 (Nada una Dama) | Manuel Escacena, Pepito Cilera | E Major | 1 | 12B | 60 BPM | ||
TARDEO - BULERÍA | Nacho Morales, El Peinao, Álvaro Bonilla, J Cifre, Cisco | D♭ Minor | 5 | 12A | 120 BPM | ||
Guajiras: Letra por Colombianas | Juan María Real, Ana Real, Manuel Salado | A Major | 6 | 11B | 74 BPM | ||
Cabales: Cante y Guitarra | El Trini, Victor M. Rosa, Mariló García, Lurdes García | A♭ Major | 4 | 4B | 135 BPM | ||
Soleares de Mercedes La Serneta - Remastered | Niño de las Cabezas, Juan el Africano | D♭ Major | 0 | 3B | 95 BPM | ||
Qué Desgraciaíto Soy (Alegrías Salineras) [with Niño Ricardo] | El Sevillano, Niño Ricardo | F♯ Major | 2 | 2B | 152 BPM | ||
La copla andaluza (Fandangos del desafío) | José Muñoz, Manuel Centeno, Ramón Montoya | D♭ Major | 1 | 3B | 120 BPM |