"O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v]" by Hildegard von Bingen, Sequentia, Benjamin Bagby was released on May 10, 2013. With this song being about 5 minutes long, at 4:33, "O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v]" by Hildegard von Bingen, Sequentia, Benjamin Bagby is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hildegard von Bingen, Sequentia's "Hildegard von Bingen - Celestial Hierarchy" album is number 2 out of 10. O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O dulcis electe (Responsory to St. John the Evangelist) [V fol. 161v] by Hildegard von Bingen, Sequentia, Benjamin Bagby to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctus, JD 6 | John Dunstable, Tonus Peregrinus, Antony Pitts | A Major | 1 | 11B | 119 BPM | ||
Amen, Allelulia | State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Responsorium II: O vos Imitatores excelsae personae (VI) | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori | D Major | 0 | 10B | 81 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM | ||
St Sunniva Hymn - Eterna Christi Munera | Trio Mediæval, Arve Henriksen | D Major | 0 | 10B | 142 BPM |