"Cinq etudes de bruits - Etude aux chemins de fer" by Pierre Schaeffer was released on September 29, 2014. The duration of Cinq etudes de bruits - Etude aux chemins de fer is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Cinq etudes de bruits - Etude aux chemins de fer's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The French Avant-Garde in the 20th Century". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Cinq etudes de bruits - Etude aux chemins de fer is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cinq etudes de bruits - Etude aux chemins de fer by Pierre Schaeffer having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
BURSZTYN VI: Minimáquina IIIa | Camilo Andrés Méndez San Juan, Vertixe Sonora Ensemble | D♭ Major | 2 | 3B | 109 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Amphitryon 38 | Daphne Oram | A♭ Minor | 1 | 1A | 75 BPM | ||
Trois directions: Étude pathétique - Study in Pathos | Pierre Schaeffer | A♭ Major | 3 | 4B | 121 BPM | ||
Suite pour quatorze instruments /1949: Courante, roucante et rigodon | Pierre Schaeffer | A♭ Major | 3 | 4B | 100 BPM | ||
New York Counterpoint: II. Slow | Steve Reich, Evan Ziporyn | F♯ Minor | 1 | 11A | 90 BPM | ||
Symphonie Pour Un Homme Seul: 12. Strette - Remix 2016 | Pierre Henry | B♭ Minor | 8 | 3A | 81 BPM | ||
Étude aux objets /1959: Objets multipliés | Pierre Schaeffer | F Minor | 2 | 4A | 102 BPM | ||
Symphonie pour un homme seul: Intermezzo | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM |