Pierre Certon, Ensemble Gilles Binchois made "Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542")" available on February 7, 2005. The duration of Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Songs of the Renaissance: France/Spain". In this album, this song's track order is #4. Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Certon: Que n'est-elle auprés de moy (from "Neufiesme livre contenant XXVIII chansons nouvelles à quatre parties, P. Attaingnant et H. Jullet, 1542") by Pierre Certon, Ensemble Gilles Binchois having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
La Magdalena | Pierre Attaingnant, Hopkinson Smith | D♭ Minor | 2 | 12A | 92 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
De Profundis en faux-bourdon, Jean du Moulin | Pierre Certon, Vox Cantoris, Jean-Christophe Candau | F♯ Major | 1 | 2B | 79 BPM | ||
Musiques Pour Le Mariage Du Roy Louis XIII Faites En 1615: Bourée D'Avignonez (Philidor) | Le Concert Des Nations, Jordi Savall | G Major | 4 | 9B | 114 BPM | ||
Sechs deutsche Lieder, Opus 37: Nr. 6 Lied beim Rundetanz (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D Major | 2 | 10B | 82 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM |