"Océan Mer: Marine (Paul Verlaine)" by Graciane Finzi, Karine Lethiec, Ensemble Calliopée was released on November 12, 2021. With Océan Mer: Marine (Paul Verlaine) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Graciane Finzi, Karine Lethiec, Ensemble Calliopée's "Graciane Finzi - Et si tout recommençait..." album is number 6 out of 17. On top of that, France appears to be the country where this track was created. The popularity of Océan Mer: Marine (Paul Verlaine) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Océan Mer: Marine (Paul Verlaine) by Graciane Finzi, Karine Lethiec, Ensemble Calliopée to be Presto (very, very fast) because the track has a tempo of 184 テンポ, a half-time of 92テンポ, and a double-time of 368 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Third Movement | David Teie, Alice Kogan Weinreb, Sylvia Alimena, Eclipse Chamber Orchestra | E Minor | 3 | 9A | 82 BPM | ||
Violin Concerto: II. Warm | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Stoop to Dunk | Laz Ukpo | F♯ Major | 0 | 2B | 168 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
#1.SUEDE - Home | Roro Piano | D Major | 0 | 10B | 132 BPM | ||
Pastorales 2020: IV. Larghetto | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Can Vei La Lauzetta Mover (Das Lerchenlied) | Bo Wiget, Bernart de Ventadorn, Asya Fateyeva, Matthias Loibner, Emil Kuyumcuyan | C Major | 2 | 8B | 107 BPM | ||
Kaddish-Prelude | Giedrius Kuprevičius, Gidon Kremer, Andrei Pushkarev | F Major | 0 | 7B | 100 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM |