"Konzert für Gitarre und Streichorchester in A Major, Op. 30: II. Andantino sicilliano" by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal was released on April 19, 2013. Konzert für Gitarre und Streichorchester in A Major, Op. 30: II. Andantino sicilliano is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 2 out of 6 in Classic for You: Giuliani: Konzert für Gitarre und Streichorchester - Rodrigo: Concierto de Aranjuez by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal. Konzert für Gitarre und Streichorchester in A Major, Op. 30: II. Andantino sicilliano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Konzert für Gitarre und Streichorchester in A Major, Op. 30: II. Andantino sicilliano by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria Rusticana I - Intermezzo | Heribert Beissel | F Major | 1 | 7B | 81 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Concerto for Trumpet, Strings & B.c. in B Major: II. Allegro | George Frideric Handel, Wolfgang Portugall, Bohdan Warchal, Egbert Lewark, Slowakisches Kammerorchester | B♭ Major | 1 | 6B | 112 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Violin Concerto in D Major, Op. 61 (Cadenzas by Vasa Prihoda): III. Rondo (Allegro) | Ludwig van Beethoven, Alexander von Pitamic, Southgerman Philharmonic Orchestra, Ivan Czerkov | D Major | 1 | 10B | 82 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: IIIa. Adagio cantabile | Ludwig van Beethoven, Zuill Bailey, Simone Dinnerstein | A♭ Minor | 1 | 1A | 173 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM |