Leon Levitch, Milton Thomas, Lincoln Mayorga made "Viola Sonata, Op. 11: III. Andante" available on April 1, 2011. With this song being about 5 minutes long, at 5:04, "Viola Sonata, Op. 11: III. Andante" by Leon Levitch, Milton Thomas, Lincoln Mayorga is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leon Levitch, Gary Tishkoff's "Levitch: Viola Sonata / Sonata for Solo Violin / Ricordo Di Mario / Violin Sonata" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Viola Sonata, Op. 11: III. Andante's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Viola Sonata, Op. 11: III. Andante by Leon Levitch, Milton Thomas, Lincoln Mayorga to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: No. 3, Elegia. Adagio | Anton Arensky, Smetana Trio | G Minor | 0 | 6A | 89 BPM | ||
Paper Airplane | Joe Hisaishi | F Major | 1 | 7B | 101 BPM | ||
String Quartet in F Major, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Juilliard String Quartet | F Major | 2 | 7B | 88 BPM |