Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton made "The Tale of Peter Rabbit: II. Once upon a time" available on November 1, 2005. With The Tale of Peter Rabbit: II. Once upon a time being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton, BBC Singers's "McNeff: Four Tales from Beatrix Potter" album is number 12 out of 46. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Tale of Peter Rabbit: II. Once upon a time is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Tale of Peter Rabbit: II. Once upon a time by Stephen McNeff, Clark Rundell, BBC Concert Orchestra, Imelda Staunton to be Prestissimo (even faster than presto) because the track has a tempo of 204 テンポ, a half-time of 102テンポ, and a double-time of 408 テンポ. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Manon Lescaut, S. 69, Act II: In quelle trine morbide | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | B♭ Minor | 0 | 3A | 60 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arr. for Orchestra by John Rutter) | Claude Debussy, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 72 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Etudes: V. Port de bras et pas de badin | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 100 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Fields of Deliberation | Kevin Houben | A♭ Major | 2 | 4B | 110 BPM | ||
Ghosts: VI. The Oldham Coliseum Ghost | Stephen McNeff, The Band Of The Royal Air Force Regiment, Mark Heron, Chris I'Anson | G Major | 1 | 9B | 80 BPM | ||
Raid On the White Tiger Regiment: The Chinese People's Volunteers Appear | Guo Tai Gong, Ying Liu, Shou-Cheng Luo, Rui Yang, Shanghai Philharmonic Orchestra, Yong-ji Wang | D Major | 2 | 10B | 104 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM |