On February 7, 2017, the song "Chapter 21 - Stamped from the Beginning - The Definitive History of Racist Ideas in America" was released by Ibram X. Kendi, Christopher Dontrell Piper. The duration of Chapter 21 - Stamped from the Beginning - The Definitive History of Racist Ideas in America is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Chapter 21 - Stamped from the Beginning - The Definitive History of Racist Ideas in America's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 391 in the song's album "Stamped from the Beginning [The Definitive History of Racist Ideas in America (Unabridged)]". In this album, this song's track order is #21. Chapter 21 - Stamped from the Beginning - The Definitive History of Racist Ideas in America is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 21 - Stamped from the Beginning - The Definitive History of Racist Ideas in America by Ibram X. Kendi, Christopher Dontrell Piper having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 4 - The Seven Sisters - The Seven Sisters, Book 1 | Lucinda Riley, Tuppence Middleton | E♭ Minor | 1 | 2A | 82 BPM | ||
Chapter 08: Tina in Danger | Bibi and Tina, Ulf Tiehm, Britt McKillip, Chantal Strand | D Major | 2 | 10B | 129 BPM | ||
Chapter 32 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | C Major | 3 | 8B | 172 BPM | ||
Chapter 68 - The Mysterious Affair at Styles | Agatha Christie, Lauren Williams | E♭ Major | 3 | 5B | 134 BPM | ||
Sissy Girls | The Bradshaws | D♭ Major | 4 | 3B | 79 BPM | ||
Chapter 1 - The Subtweet - A Novel | Vivek Shraya | F Minor | 3 | 4A | 88 BPM | ||
Chapter 8.8 - 1984 | George Orwell | A♭ Major | 3 | 4B | 124 BPM | ||
Chapter 2.6 & Chapter 3.1 - 1984 | George Orwell | F Major | 2 | 7B | 150 BPM | ||
Rilla of Ingleside - Anne Shirley 8, Chapter 1 | L.M. Montgomery, Kate Handford | F♯ Minor | 4 | 11A | 135 BPM | ||
Bogland | Seamus Heaney | A♭ Major | 1 | 4B | 102 BPM |