"Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!"" by Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris was released on November 7, 2011. The duration of Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!" is about 3 minutes long, at 3:08. Based on our data, "Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Accentus, Laurence Equilbey's "Mendelsohn: Christus" album is number 14 out of 16. On top of that, France appears to be the country where this track was created. Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!" by Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Roumanian Folk Dances, BB 68, Sz. 56: 3. In One Spot | Béla Bartók, Zoltán Kocsis | B Minor | 0 | 10A | 97 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Cantabile in B-Flat Major | Frédéric Chopin, Idil Biret | B♭ Major | 0 | 6B | 69 BPM | ||
Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |