"6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude" by Johann Sebastian Bach, Jiří Bárta was released on January 1, 1996. The duration of 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in Bach: Cello Suites Nos. 1, 2 & 3 by Johann Sebastian Bach, Jiří Bárta. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Cello Suites, No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Jiří Bárta is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Pizzicato | Johann Georg Reutter, La Gioia Armonica, Jurgen Banholzer | A Major | 0 | 11B | 60 BPM | ||
Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto | Ralph Holmes | C Minor | 0 | 5A | 70 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Nuvole Bianche | Ludovico Einaudi, Jaime Weytens | A♭ Major | 3 | 4B | 129 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Reciprocity | Trevor Morris | D Major | 5 | 10B | 134 BPM | ||
Nocturne in E-Flat Major, Op. 9, No. 2 | Vadim Chaimovich | E♭ Major | 1 | 5B | 67 BPM | ||
In the Mood | Paul Englishby, Jeremy Holland-Smith | A♭ Major | 4 | 4B | 176 BPM | ||
A Postcard to Henry Purcell - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | F Major | 0 | 7B | 85 BPM |