Benjamin Britten, London Symphony Orchestra, Steuart Bedford made "The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue" available on June 20, 2005. The duration of The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 30 in Britten: The Young Person's Guide To the Orchestra / Variations On A Theme of Frank Bridge by Benjamin Britten, Steuart Bedford. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Fugue by Benjamin Britten, London Symphony Orchestra, Steuart Bedford is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): II. Il castello vecchio "The Old Castle" | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E Minor | 2 | 9A | 125 BPM | ||
Nocturne, Op. 60: IV. Midnight's Bell Goes Ting, Ting, Ting... | Benjamin Britten, Adrian Thompson, Michael Thompson, Bournemouth Sinfonietta, David Lloyd-Jones | F Major | 1 | 7B | 69 BPM | ||
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
Carnival of the Animals: X. Aviary | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
La mer, L. 109: 1. De l'aube à midi sur la mer | Claude Debussy, Orchestre de Paris, Daniel Barenboim | F♯ Major | 1 | 2B | 56 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM |