Giuseppe Verdi, Giacomo Aragall, Pilar Lorengar, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel's 'La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)' came out on January 1, 1969. The duration of La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Pilar Lorengar, Giacomo Aragall, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel. The song's track number on the album is #3 out of 24 tracks. La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) by Giuseppe Verdi, Giacomo Aragall, Pilar Lorengar, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) being at 68 テンポ, the half-time would be 34 テンポ with a double-time of 136 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E Minor | 2 | 9A | 67 BPM | ||
La Canción del Olvido: "Canción de Rosina" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | G Major | 2 | 9B | 106 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | E Major | 1 | 12B | 94 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Nabucco / Act 3: "Va, pensiero" (Chorus of the Hebrew Slaves) | Giuseppe Verdi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | D♭ Major | 1 | 3B | 77 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Andrea Bocelli, Moscow Radio Symphony Orchestra, Vladimir Fedoseyev | B♭ Minor | 1 | 3A | 83 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Carmen / Act 1: "Mais nous ne voyons pas la Carmencita" - "L'amour est un oiseau rebelle" | Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | G Major | 2 | 9B | 179 BPM |