Karol Lipinski, Laurent Albrecht Breuninger, Polish Radio Symphony Orchestra, Wojciech Rajski's 'Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio' came out on June 20, 2006. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Karol Lipinski, Polish Radio Symphony Orchestra, Wojciech Rajski, Laurent Albrecht Breuninger's "Lipinski: Violin Concerto No. 1, Rondo alla polacca & Brawurowe wariacje" album is number 3 out of 5. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Adagio by Karol Lipinski, Laurent Albrecht Breuninger, Polish Radio Symphony Orchestra, Wojciech Rajski to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Rondo capriccioso, Op. 14: I. Andante (Arr. Yampolsky for Violin and Piano) | Felix Mendelssohn, Christian Li, Laurence Matheson | E Major | 1 | 12B | 87 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): V. Venetianisches Gondellied: Allegretto tranquillo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation X: Tempo di mazurka | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 2 | 10B | 139 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: IV. Variazione II più mossa | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 149 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Guitar Quartet No. 6 in D Minor, Op. 5 No. 3, MS 33: I. Allegro | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM | ||
Variations: Fughetta | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | B Minor | 0 | 10A | 64 BPM |