"Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas]" by Henry Purcell, William Christie, Les Arts Florissants was released on January 1, 1995. The duration of Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas] is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Purcell : Dido & Aeneas". In this album, this song's track order is #17. In terms of popularity, Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas] by Henry Purcell, William Christie, Les Arts Florissants having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Psalmus 109. dixit dominus | Claudio Monteverdi, Rinaldo Alessandrini | A Minor | 2 | 8A | 171 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM |