Alfred Brendel, Walter Klien's 'Slavonic Dances, Op. 46, B. 78: No. 8 in G Minor, "Furiant" (Presto)' came out on January 1, 2020. The duration of Slavonic Dances, Op. 46, B. 78: No. 8 in G Minor, "Furiant" (Presto) is about 3 minutes long, at 3:23. Based on our data, "Slavonic Dances, Op. 46, B. 78: No. 8 in G Minor, "Furiant" (Presto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 20 in Dvorák: Slavonic Dances, Violin Concerto in A Minor & Romance in F Minor by Alfred Brendel, Walter Klien, Josef Suk. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Slavonic Dances, Op. 46, B. 78: No. 8 in G Minor, "Furiant" (Presto)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Slavonic Dances, Op. 46, B. 78: No. 8 in G Minor, "Furiant" (Presto) by Alfred Brendel, Walter Klien is Allegro (fast, quick, and bright), since this song has a tempo of 151 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Te Deum laudamus | Antonín Dvořák, Ewa Biegas, Orfeón Pamplonés, Orquesta Sinfonica de Navarra, Antoni Wit | B♭ Minor | 0 | 3A | 79 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM |