"Verklärte Nacht, Op. 4 (1899): Sehr ruhig (bar 370)" by Juilliard String Quartet, Yo-Yo Ma was released on 1967. With this song being about 5 minutes long, at 4:30, "Verklärte Nacht, Op. 4 (1899): Sehr ruhig (bar 370)" by Juilliard String Quartet, Yo-Yo Ma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Juilliard String Quartet's "Juilliard String Quartet: Great Collaborations" album is number 10 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Verklärte Nacht, Op. 4 (1899): Sehr ruhig (bar 370) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verklärte Nacht, Op. 4 (1899): Sehr ruhig (bar 370) by Juilliard String Quartet, Yo-Yo Ma to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 13 in A Minor, D. 804 "Rosamunde" (Remastered): II. Andante | Franz Schubert, Juilliard String Quartet | C Major | 1 | 8B | 128 BPM | ||
String Quartet No. 59 in E Major, Op. 54, No. 3. Hob III:59 (Remastered): II. Largo cantabile | Joseph Haydn, Juilliard String Quartet | E Major | 1 | 12B | 79 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Emerson String Quartet | F Major | 0 | 7B | 93 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Fünf Sätze für Streichquartett, Op. 5: II. Sehr langsam | Anton Webern, Juilliard String Quartet | C Major | 0 | 8B | 91 BPM | ||
Toccata, Op. 11 | Sergei Prokofiev, Martha Argerich | G Minor | 1 | 6A | 96 BPM | ||
Piano Quintet No. 1 in C Minor, Op. 1: I. Allegro | Ernst von Dohnányi, Shmuel Ashkenasi, Nobuko Imai, Trio Nota Bene | F Minor | 2 | 4A | 135 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
String Quartet No. 5: I. At the Crossroads | Richard Wernick, Benita Valente, Juilliard String Quartet | D♭ Major | 1 | 3B | 155 BPM | ||
Serenade: I. Phaedrus. Pausanias. Lento and Allegro | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |