"Tito Manlio, RV 778: Orribile lo scempio (Arr. Papp)" by Antonio Vivaldi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on 1997. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 19 in Arie Antiche (Dmitri Hvorostovsky – The Philips Recitals, Vol. 10) by Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Tito Manlio, RV 778: Orribile lo scempio (Arr. Papp)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tito Manlio, RV 778: Orribile lo scempio (Arr. Papp) by Antonio Vivaldi, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 2 in G Minor for 2 Violins and Cello, RV 578: 2. Allegro | Antonio Vivaldi, Elizabeth Wilcock, Monica Huggett, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 3 | 11A | 125 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM |