Orquesta Sinfónica De Radio Hamburgo made "La Novia Vendida. Furiant" available on December 1, 2008. The duration of La Novia Vendida. Furiant is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. La Novia Vendida. Furiant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orquesta Sinfónica De Radio Hamburgo's "La Novia Vendida, De Mi Vida Y Libusa" album is number 3 out of 10. On top of that, Spain appears to be the country where this track was created. Based on our statistics, La Novia Vendida. Furiant's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Novia Vendida. Furiant by Orquesta Sinfónica De Radio Hamburgo to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcha Triunfal de Aida | Orquesta de Concierto | A♭ Minor | 5 | 1A | 103 BPM | ||
Obertura Caballeria Ligeria | La Orquesta Y Coros Del Festival De Praga | A Major | 2 | 11B | 123 BPM | ||
Il Lado Dei Cigni, Suite dal Balletto Op.20 | Armonie Symphony Orchestra | A Major | 1 | 11B | 116 BPM | ||
Canto A Mi Madre | P. De Senneville, Olivier Toussaint | C Minor | 1 | 5A | 136 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Swan Lake, Ballet suite, Op.20: Scene (Lake in the moonlight) | Belgrad Philharmonic Orchestra, Igor Markevitch | D Major | 0 | 10B | 170 BPM | ||
Badinerie (Suite No 2) | Conjunto Barroco De La Sinfónica de Hamburgo | B Minor | 4 | 10A | 123 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM |