"Suite for Orchestra: I. Black Cloud Horses" by Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla was released on January 1, 1989. With this song being about 5 minutes long, at 4:58, "Suite for Orchestra: I. Black Cloud Horses" by Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Warren, E.R.: Good Morning, America! / Suite for Orchestra / the Crystal Lake / Along the Western Shore by Elinor Remick Warren, Efrem Zimbalist, Sr., Szymon Kawalla. The song's track number on the album is #1 out of 10 tracks. In terms of popularity, Suite for Orchestra: I. Black Cloud Horses is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite for Orchestra: I. Black Cloud Horses by Elinor Remick Warren, Polish Radio and Television Orchestra, Szymon Kawalla has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite for Orchestra: I. Black Cloud Horses being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Czerny Op. 849 Exercise No. 14: Allegro (Orchestral Accompaniment only) | Carl Czerny, The Piano Foundation | A Major | 2 | 11B | 71 BPM | ||
Grand Overture in D Major Op. 18, No. 3, W. G15: III. Allegro assai | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | D Major | 2 | 10B | 131 BPM | ||
Divertimento No. 1, Op. 20: V. Csurdongolo (Stamping dance) | Leó Weiner, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 146 BPM | ||
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Piano Concerto No. 1 in D Minor: III. Allegro con brio | Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Major | 2 | 7B | 105 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Sonatina in A Minor | Jiří Antonín Benda, Ji Hye Jang | A Minor | 3 | 8A | 138 BPM | ||
Quintet in E-Flat Major, Op. 10, No. 3, Ben. 282: I. Adagio | Ignaz Pleyel, Orsolya Kaczander, Lajos Lencsés, Vilmos Szabadi, Péter Bársony, Péter Szabó | G Major | 1 | 9B | 78 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso - Live | Ludwig van Beethoven, Jonathan Biss, Swedish Radio Symphony Orchestra, David Afkham | B Major | 0 | 1B | 85 BPM |