"L’opéra de quat'sous, Act III: Appel de Macheath à ses amis" by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba had its release date on September 22, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #48 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. L’opéra de quat'sous, Act III: Appel de Macheath à ses amis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L’opéra de quat'sous, Act III: Appel de Macheath à ses amis by Kurt Weill, Le Balcon, Maxime Pascal, Birane Ba has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With L’opéra de quat'sous, Act III: Appel de Macheath à ses amis being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Erlkönig, D.328 (Op. 1) | Franz Schubert, Jessye Norman, Phillip Moll | F♯ Minor | 1 | 11A | 76 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Concerto for Cello & Wind Band: V. Finale: Alla Marcia | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Major | 2 | 7B | 153 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
The Unanswered Question | Charles Ives, Alison Balsom, Scott Stroman, Britten Sinfonia | F Major | 0 | 7B | 173 BPM | ||
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM |