"Edington Service: I. Magnificat" by Grayston Ives, Lichfield Cathedral Choir, Mark Shepherd, Andrew Lumsden was released on October 11, 1994. Edington Service: I. Magnificat is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Lichfield Cathedral Choir, Mark Shepherd, Andrew Lumsden's "Magnificat & Nunc dimittis, Vol. 3" album is number 5 out of 14. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Edington Service: I. Magnificat is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Edington Service: I. Magnificat by Grayston Ives, Lichfield Cathedral Choir, Mark Shepherd, Andrew Lumsden to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Popularis: IV. Sanctus | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | D Major | 2 | 10B | 92 BPM | ||
Like a Darling: No. 3, Together | Steven Serpa, Jessica Bush, Chorosynthesis Singers, Jeremiah Selvey | E Major | 0 | 12B | 79 BPM | ||
The race that long in darkness pined | St Edmundsbury Cathedral Choir, Scott Farrell | E♭ Major | 0 | 5B | 83 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Te Deum in B-Flat | Charles Villiers Stanford, Mark Blatchly, Barry Rose | B♭ Major | 2 | 6B | 91 BPM | ||
Requiem: III. Sanctus | Grayston Ives, Choir of Jesus College, Cambridge, Britten Sinfonia, Richard Pinel | A♭ Minor | 2 | 1A | 109 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
My Belief | Five Creates | D♭ Major | 1 | 3B | 78 BPM |