"雨の街を" by Miyuki Hatakeyama was released on September 26, 2002. With this song being about 5 minutes long, at 4:45, "雨の街を" by Miyuki Hatakeyama is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Fragile by Miyuki Hatakeyama. Based on our statistics, 雨の街を's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 雨の街を by Miyuki Hatakeyama is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
まとめを読まないままにして | KUKIKODAN | E Minor | 5 | 9A | 80 BPM | ||
夢の中で会えるでしょう | Hiroshi Takano | A Major | 8 | 11B | 95 BPM | ||
ほんの少し | Port of Notes | A Minor | 3 | 8A | 144 BPM | ||
子犬の夢 | 浮 | G Major | 5 | 9B | 125 BPM | ||
魔法みたいに | Saho Terao, 大熊ワタル | A Major | 1 | 11B | 140 BPM | ||
哀しいくらい | Kazumasa Oda | C Major | 6 | 8B | 108 BPM | ||
空の停車場 | Miyuki Hatakeyama | A♭ Major | 3 | 4B | 78 BPM | ||
マーブル色の日 | Hitomi Yaida | C Major | 4 | 8B | 97 BPM | ||
Tefu Tefu | SARM | B Minor | 7 | 10A | 176 BPM | ||
夜の庭 | Miyuki Hatakeyama, Kazuma Fujimoto | A Major | 3 | 11B | 168 BPM |